I am wondering these days whether I can review movies. I have consistently held , even if not in written word in all my posts about everything written being my view, not review. I am not qualified enough to be a critic. Because for one, I liked “Mere Brother Ki dulhan” and loathed “That Girl in yellow Boots.” If I were a critic, the adjectives used for these movies would have been opposite. Or I might have even loved That Girl…. So technically I am not a critic. Taran Adarsh is a critic, because he loved “That Girl in Yellow Boots” and gave it 4 stars. According to him, the finale hit him like a ton of bricks. Everybody I know of who were fateful enough to watch that -yes all three of us- had guessed what the end is going to look like. But then , Taran Adarsh likes anything. He is the antithesis of Devil’s Advocate. He gave “Mere Brother ki Dulhan” 4 stars as well . Actually he gave “Do Knot Disturb” (you remember?) 3.5 stars. Actually Mark Zuckerberg told me that the Facebook like button using which you can like statuses which condole somebody’s death as well was inspired by Taran Adarsh. Actually.. ok you get the point, right?
Sometimes I miss the point of Anuraag Kashyap’s movies. But in “That girl in yellow boots” I missed the whole game. I simply do not want to go to a movie to do brain exercise to deduce the various acts and scenes which are the supposed illustrations of various degrees of subtleties a film maker can achieve . Was the massage parlour symbolising the greasing of palm one is required to do to get every governmental job done? Was the constant chattering of the owner of the parlour a connotation for the constant din in the protagonist’s life? Did the character of Naseeruddin Shah typified the father Ruth never had? Did the yellow boots symbolise…Oh leave it. Did the yellow boots symbolise anything at all? I don’t want to find out. I wanted to get entertained when I spend my 200 bucks, which did not happen. I can find numerous “Find the difference” and “Find the similarities” games on internet for free. And in my honest opinion, Kalki is not that fine an actress either as she is touted to be. Does acting only comprise of a grim mood, dark environment, shrieks, and hysterics? I am no fan of acting of Katrina Kaif, but for me she was good in MBKD. She gave good expressions importantly at the right times, rolled her eyes well and conveyed appropriate amount of devilry through them. I never imagined that I will ever write such lines for Katrina, but she was good. But still she has been panned by critics. Guess that is what it takes to be a critic. The usual reaction “That girl in yellow boots” elicits is that of shock. I mean that is what I have been told. And I wonder what is so shocking about it. Is it child molestation or incest? Now, do we need a movie to tell us that these exist in reality? So, why seeing reality on the big screen shocks them? Is it because anytime we go to see a movie, they expect to see escapist cinema? Then why does watching something like “Mere Brother Ki dulhan” which is escapist cinema at its core disappoints them? And if they do not expect that, why get shocked at seeing something like “That Girl In yellow Boots” ? I do not expect to get answers. May be it is the taste thing. Rom-coms are anyway panned universally by critics with rare exceptions. But then , why would someone go to a romcom expecting to be shocked? Or expect that one will have anything different from a “run –of-the-mill” good ending? Or expect that if two people are protagonists, somehow they will not end up together just to provide a different ending? Now did anyone really expect Katrina Kaif to get hitched to Ali Zafar movie when Imran Khan with all his Bollywood connection is lurking around? Really? But for me , I do not go to watch movies for the sole purpose of expecting to get shocked. Better I will sit at home and search YouTube for shocking videos instead. I go to get entertained. Simply put, MBKD with all its flaws, entertained me . That girl in Yellow Boots didn’t despite it’s several subtleties which the critics regularly found orgasmic. Besides what was left in That girl in Yellow Boots if you could guess the end and take away the “shock” as happened to me , is pretty much still unclear to me. Was it this trailer which is doing the rounds these days? Ch***yappa and handshake? Please don’t tell me that this trailer has not been released just to lure the so- called “ front benchers” using lewd gestures and slang language. If that is the truth, then why carry the pretence of being an off-beat, classy movie?
Phew… Ok, enough of ranting now. Now did I give you the impression that MBKD is a hugely entertaining, sugar-sweet, “Four Wedding and a Funeral-esque” funny movie which attains the climactic heights any romcom can aspire to get to ? No, it is not surely. It is actually a silly movie actually. So silly that it shows BEST buses outside IGI Airport , Delhi. Actually it was more silly that Billy trying to do a wheelie in the rush hour traffic in apni Dilli and it is more clichéd than the word “Clichéd” has becomes a cliché to describe romcom movies. And the movie is more silly than the last sentence I framed. It has the leading pair who on the account of their last few misadventures are quite proven to be incapable of acting. And if it was not enough, there is John Abraham as well for a quick dekko with his non-existent expressions. I have a theory regarding why Bipasha dumped him. Because he couldn’t “express” his love for her. It has Imran khan , who had he been an animal would have had 4 left feet trying to “ape” the dance steps of the three Khans. Now that is only possible if one Khan is your Uncle and you can be relatively assured that he will not sue you for doing that. Now , what is stopping the other two Khans from suing him, I don’t know. They have a camp right in front of The Tajmahal . Surely, Mayawati will want to know more about that. May be we will se a 5 star hotel in just that place in the coming days. And if you want to do better video calls than as those shown in Reliance ads, you should consider acting in movies. I have always doubted Reliance’s ability to deliver but this movie removes all doubts that the best video calls happen in movies and movies only. And that is about its silliness. Additionally it is clichéd at innumerable places.
But you will enjoy the movie if you expect beforehand that it is going to be silly and clichéd like all romantic movies are. I mean which is the last actress you remember who married a books store owner in reality? But that did not stop Notting Hill from being what it was. Love Actually was actually full of stupidity. But it was also full of love. They were good because they made you feel good and they were not bad just because they were stupid and clichéd. Mere brother Ki Dulhan does that, though to only an extent. But then that is why it is not Notting Hill or Love Actually. But who says that film making can only be Sholay on one side and RGV ki Aag on other?
No comments:
Post a Comment